We continue this process of stacking thirds even higher, until we’ve tried all of the notes in the major scale. That’s why these notes can’t be tensions. Each of these four-note chords has a 1, 3, 5 and 7. It often refers to whichever third would be normal when constrained by limits of the current key.s to create diatonic chords. These notes are stacked in third This can mean any kind of third, including major or minor. More generally, it can also mean a chord created from pitches of any major scale.s are built from the notes in a major scale. Remember that diatonic chord Usually used to mean a chord that can be created from pitches drawn from the current key of the music. This refers back to another lesson on diatonic seventh chords. Let’s start our exploration by considering the tensions that will appear within a major key’s diatonic harmony.
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